Skip to main content

Listening report – John Cage

 Prof. Dr. Herzogenrath

The Future of Avantgarde-Music

Blaha, Malte C.

Matrikelnummer 7509502

 

Listening report – John Cage

Instead of enjoying the scope of classical and planned Music, Cage recognized a variety of sounds to be ultimately ‘be music’. John Cage is like an action-like ‘Jackson Pollock’ in the world of music. It appears as if he is kind of ‘tuning-in’. Almost everything seems unplanned, yet, Cage illustrates his music in a way, in which something might emerge without the need to plan the actual music ahead.

It is remarkable that in the musical works of Cage, there is almost no silence, or in turn, absence of sound. Therefore, the listener receives the idea that silence or the absence of sound means for Cage that there is no life anymore. This comes as there is no real ‘absence of sounds’ throughout his entire musical works. Furthermore, the sounds of Cage sound very exotic and never heard before, kind of out of this world.

The way in which Cage creates new sounds is almost like a controversy: Through the filling of a piano with rubber, dirt, nails etc., Cage creates never-heard sounds and argues that the created sounds are music as well, a controversy itself putting a piano intended out of tune and calling it the creation of something new. The opportunities? Almost endless. The Idea? It is basically a variety of sounds that all share a natural origin; but mixed together, it creates the unique sound of Cage: unstructured confusion.

Comments

Popular posts from this blog

William Basinski – The Disintegration Loops III

  The Disintegration Loops is a quartet of albums published in 2002 and 2003 by American avant-garde composer William Basinski. The pieces are made up of tape loop recordings that were played over time, with noise and crackles rising as the tape deteriorated. Basinski noticed this effect when attempting to convert his older recordings to digital format. The completion of the recordings coincided with the September 11, 2001 events, which Basinski witnessed and adds a deeper meaning to the composition. The composition is fascinating in many ways and makes the listener lose track of time. The tape loop recording had a very calming effect on me and put me in a trance-like state when I listened to it in its entirety. The tape loop is really soothing, so much so that I didn't even notice the loss of quality when I first listened to it. It makes you forget about time and allows you to really get into the piece capturing the calmness it exudes. You forget or don't really notice how i...

Pauline Oliveros – The Goddard in the Dan Harpole Cistern

  After watching Dan Harpole's film of Goddard in the Cistern, one is struck by how creepy the location appears and feels. In the light, you can just make out a lengthy ladder leading down into a concrete-walled area. It's absolutely dark, with only the top hatch and a small lamp providing lighting. This sequence accounts for a significant portion of the plot. Three persons are seen climbing up and down the ladder, which might be regarded the music piece's official start. Additionally, while the name "Dan Harpole Cistern" suggests a vast space, it appears to be a homemade video. A hum and other vocal noises travel across the room, bouncing off the walls. The women's voices generate a hum that contributes to the room's unique feel. The beautiful singing is interrupted by metal fragments falling on the floor. One would ask how much thought went into the sounds, given that the majority of them appear to be chosen at random. The emphasis is not on making sound...

John Oswald – Plexure (Full Album)

  Jon Oswald was known for his Plunderphonics music pieces, where he created new pieces from already existing music recordings of famous artists and reworked them. Artists like Michael Jackson, who was also part of the cover on Plunderphonic, The Beatles, James Brown, Bing Crosby but also classical musicians like Beethoven and Bach were part of his pieces.   The first minute and a half of his album consists of a wild mix of R&B and hip-hop songs. They are single, very short sequences, about 2-3 seconds long, which were cut together. The first song was introduced with a sound that reminded me of Michael Jackson's Thriller. From minute five to about minute seven, the use of rock & roll music was recognizable. At the end, I recognized Madonna, Nirvana and again Michael Jackson, among others. Personally, I can hardly identify with this kind of music, because listening to the album, I felt the compilation was relatively arbitrary and not balanced with each other. I recogniz...