Prof. Dr. Herzogenrath
The Future of Avantgarde-Music
Blaha, Malte C.
Matrikelnummer 7509502
Listening report –
Pauline Oliveros
First
of all, I have the following to say about the piece With Goddard in the Dan
Harpole Cistern: This is one of those “songs” or “musical pieces” where I
have no idea what in the hell is actually going on. I guess there was the
thought to create music out of the “moving space” but the moving space is not
something like in the Poet Electronique, it is rather to the extent of
people climbing a ladder up and down while singing. This does not only change
the reverberant sound, but the sound in general, as it is constantly forced to
move -in the way of reflecting against the walls, and additionally with the
moving of the singing person itself.
While listening to it, I experienced some sort of
consciousness that was able to demonstrate the power of sound. There are rather
unconventional instruments -but only if you call them instruments. Otherwise,
it seems that there are no instruments at all, but enough sound, vibrants, and
reflecting notes to create a piece mastered by only the human expression. The
sounds create a rich atmosphere that is not limited by traditional musical
structures. Its is an intricate and expansive sound. It sort of creates a new
sonic language that reflects the complexity and richness of the human voice.
Despite the experimental nature of Oliveros music, I would not state that it is
inaccessible. It seem to be the very contrary: there is a profound sense of
empathy and inclusivity that is hearable through the high notes of the human
voice. To the extent of my understanding, Oliveros created a space for
listening and exploration that transcends traditional boundaries.
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