Pierre
Schaefer begins the piece with sounds produced by drums and similar percussion
instruments. One hears the sound of an object spinning and then coming to a
stop. I assume it is a circular object, like a cymbal or hi-hat of a drum kit,
that spins until it comes to a stop. Sounds of a locomotive follow, continuing
with a mixture of drums and spinning objects as well as voices. There are
slight parallels here with another piece by Schaeffer, "etude aux chemins
de fer," in which he has the musical piece consist of sounds of trains and
locomotives. I also recognize an accordion and a violin playing rapidly,
accompanied by human sounds that are not really decipherable. By combining all
these background sounds and using human voices, Schaeffer creates an exciting
atmosphere while listening to the piece, and the listener's auditory senses are
constantly challenged to decipher all the details of the sounds. At times one
could be reminded of a scene from a scary movie, at least an intro or something
similar. In general, very interesting sound combinations he uses, the coughing
of a person, the moving locomotive and the sounds of indefinable objects. All
in all, he creates a perfect illusion of what he seems to mean by music and
that you can mix many different sounds together that have no direct relation to
each other and a great piece of music can be created. The piece concludes more
atmospherically compared to the middle section and ends with the same sound of
the circular object spinning and coming to a stop.
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