Skip to main content

Pierre Schaeffer - Étude pathétique

 

Pierre Schaefer begins the piece with sounds produced by drums and similar percussion instruments. One hears the sound of an object spinning and then coming to a stop. I assume it is a circular object, like a cymbal or hi-hat of a drum kit, that spins until it comes to a stop. Sounds of a locomotive follow, continuing with a mixture of drums and spinning objects as well as voices. There are slight parallels here with another piece by Schaeffer, "etude aux chemins de fer," in which he has the musical piece consist of sounds of trains and locomotives. I also recognize an accordion and a violin playing rapidly, accompanied by human sounds that are not really decipherable. By combining all these background sounds and using human voices, Schaeffer creates an exciting atmosphere while listening to the piece, and the listener's auditory senses are constantly challenged to decipher all the details of the sounds. At times one could be reminded of a scene from a scary movie, at least an intro or something similar. In general, very interesting sound combinations he uses, the coughing of a person, the moving locomotive and the sounds of indefinable objects. All in all, he creates a perfect illusion of what he seems to mean by music and that you can mix many different sounds together that have no direct relation to each other and a great piece of music can be created. The piece concludes more atmospherically compared to the middle section and ends with the same sound of the circular object spinning and coming to a stop.

Comments

Popular posts from this blog

William Basinski – The Disintegration Loops III

  The Disintegration Loops is a quartet of albums published in 2002 and 2003 by American avant-garde composer William Basinski. The pieces are made up of tape loop recordings that were played over time, with noise and crackles rising as the tape deteriorated. Basinski noticed this effect when attempting to convert his older recordings to digital format. The completion of the recordings coincided with the September 11, 2001 events, which Basinski witnessed and adds a deeper meaning to the composition. The composition is fascinating in many ways and makes the listener lose track of time. The tape loop recording had a very calming effect on me and put me in a trance-like state when I listened to it in its entirety. The tape loop is really soothing, so much so that I didn't even notice the loss of quality when I first listened to it. It makes you forget about time and allows you to really get into the piece capturing the calmness it exudes. You forget or don't really notice how i

Alvin Lucier’s Nothing is Real

Reem Zedan 7711552 Prof. Dr. Bernd Herzogenrath The Future of [American] Music 02 February 2022   Alvin Lucier ’s Nothing is Real             In the beginning of the video, Lucier is seen recording and playing the piano. At first I thought he was playing snippets of different classical music, but later realized it was the melody of ”Strawberry Fields Forever” by The Beatles. The pop song is played in segments that are connected by frequent long pauses. These pauses emphasize sections of the melody and change the dynamic of the song. The sections end up having their own identity and become separated from their collective identity, which is the song. Another aspect to be noticed is the frequent use of the piano’s foot pedals to create a reverb sound effect. After playing the segments, Lucier utilizes a teapot for further production of unique sounds. He views the teapot as a room and the lid as its rooftop, moving the lid changes the quality of the sounds and provides the li

John Cage’s “4’33” (1952)

  In his, I would say quite or even (pun alert) quiet experimental piece, “4’33,” Cage observes the ostensible absence of sound. Here, music is made out of those interesting background noises. Therefore, this piece of art has some performative aspects. Cage’s conception of silence would be that there is not actually such a thing as silence. He would argue that if there is sound, it means there is life.             As I am listening to this piece in class, I can only imagine how some people in the audience must have felt if they did not know what is going on. Especially, if they were some self-proclaimed music experts listening to basically nothing, at least on the exterior. Obviously, on an interior level of interpretation, this piece is all about what is happening in that single moment or ongoing for those 4’33 minutes. Cage is here quite a sneaky link shedding light on the small and everyday sounds with such an absurd and honestly also funny approach to music and life. The bizarre