Skip to main content

William Basinski’s DP3

 

Reem Zedan 7711552

Prof. Dr. Bernd Herzogenrath

The Future of [American] Music

02 February 2022

 

William Basinskis DP3

            Wiliam Basinski’s DP3 is so relaxing it made me fall asleep in class. It was a very rough day for me, but his music still managed to calm me down. I am listening to the piece for the second time while I am writing this response paper and I feel the same initial calming effect. It is almost hypnotizing and has a very zen vibe. I could definitely imagine this kind of music being played in a yoga studio or a rehabilitation center.

The piece is also very haunting. The longer you listen to it, the more depth it seems to possess. For me, the music resembled the circle of life. It can be beautiful and haunting, happy and sad, light and dark but it keeps going. Life is similar to the repetitive loops in the music because everything is in constant motion all the time. I also noticed occasional static noises in the piece. These glitches of harmony are another layer to the symbolism of life. The glitches do not stop the music or lessen its beauty; They are an essential part of the music that makes it special and unique.

Forty minutes of listening to Basinski made me visit interesting psychological parts of my brain. It definitely facilitated deep thoughts and self reflection. It also helped me wander to a very philosophical arch. If this music is perceived in my brain as a bunch of paradoxes and it extremely symbolizes life then the beauty or ugliness of the world is purely a perception issue because both of these parts of the world are tightly intertwined with one another. There is beauty everywhere in this world, you just have to be willing to see it.

Comments

Popular posts from this blog

William Basinski – The Disintegration Loops III

  The Disintegration Loops is a quartet of albums published in 2002 and 2003 by American avant-garde composer William Basinski. The pieces are made up of tape loop recordings that were played over time, with noise and crackles rising as the tape deteriorated. Basinski noticed this effect when attempting to convert his older recordings to digital format. The completion of the recordings coincided with the September 11, 2001 events, which Basinski witnessed and adds a deeper meaning to the composition. The composition is fascinating in many ways and makes the listener lose track of time. The tape loop recording had a very calming effect on me and put me in a trance-like state when I listened to it in its entirety. The tape loop is really soothing, so much so that I didn't even notice the loss of quality when I first listened to it. It makes you forget about time and allows you to really get into the piece capturing the calmness it exudes. You forget or don't really notice how i...

Pauline Oliveros – The Goddard in the Dan Harpole Cistern

  After watching Dan Harpole's film of Goddard in the Cistern, one is struck by how creepy the location appears and feels. In the light, you can just make out a lengthy ladder leading down into a concrete-walled area. It's absolutely dark, with only the top hatch and a small lamp providing lighting. This sequence accounts for a significant portion of the plot. Three persons are seen climbing up and down the ladder, which might be regarded the music piece's official start. Additionally, while the name "Dan Harpole Cistern" suggests a vast space, it appears to be a homemade video. A hum and other vocal noises travel across the room, bouncing off the walls. The women's voices generate a hum that contributes to the room's unique feel. The beautiful singing is interrupted by metal fragments falling on the floor. One would ask how much thought went into the sounds, given that the majority of them appear to be chosen at random. The emphasis is not on making sound...

John Oswald – Plexure (Full Album)

  Jon Oswald was known for his Plunderphonics music pieces, where he created new pieces from already existing music recordings of famous artists and reworked them. Artists like Michael Jackson, who was also part of the cover on Plunderphonic, The Beatles, James Brown, Bing Crosby but also classical musicians like Beethoven and Bach were part of his pieces.   The first minute and a half of his album consists of a wild mix of R&B and hip-hop songs. They are single, very short sequences, about 2-3 seconds long, which were cut together. The first song was introduced with a sound that reminded me of Michael Jackson's Thriller. From minute five to about minute seven, the use of rock & roll music was recognizable. At the end, I recognized Madonna, Nirvana and again Michael Jackson, among others. Personally, I can hardly identify with this kind of music, because listening to the album, I felt the compilation was relatively arbitrary and not balanced with each other. I recogniz...