Skip to main content

Alvin Lucier’s “I am sitting in a room” (1969)

 

The recording “I am sitting in a room” by Alvin Lucier plays with an again and again resumed sound/voice on tape. In the following I will try to showcase my thoughts during each replay. This will look now a bit experimental, as it is, but maybe it helps to understand what I thought while listening. My comments are the ones in blue.

Replay#1: I am sitting in a room different from the one you are in now. I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any semblance of my speech, with perhaps the exception of rhythm, is destroyed. What you will hear, then, are the natural resonant frequencies of the room articulated by speech. I regard this activity not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have. (- 01:36 min)

Replay#2: I am sitting in a room different from the one you are in now. I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any semblance of my speech, with perhaps the exception of rhythm, is destroyed. What you will hear, then, are the natural resonant frequencies of the room articulated by speech. I regard this activity not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have. (- 03:15 min) Here, the stutterers in the area of the “R” notes become more prominent.

Replay#3: I am sitting in a room different from the one you are in now. I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any semblance of my speech, with perhaps the exception of rhythm, is destroyed. What you will hear, then, are the natural resonant frequencies of the room articulated by speech. I regard this activity not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have. (- 04:44 min) “S” tones appear sharper, almost like a weak whistle.

Replay#4: I am sitting in a room different from the one you are in now. I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any semblance of my speech, with perhaps the exception of rhythm, is destroyed. What you will hear, then, are the natural resonant frequencies of the room articulated by speech. I regard this activity not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have. (- 06:16 min) Some words start to disappear and sound kind of mumble to me. Also, the overall sound changed more drastically from replay three to four than it did before. Some tones suddenly have an echo, which sounds similar to noise out of some of the first movies about aliens.

Replay#5: I am sitting in a room *waves of sound appear* different from the one you are in now. I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any semblance of my speech *the word speech is clearly identifiable*, with perhaps the exception of rhythm, “is destroyed” *“is destroyed” clearly recognizable*. What you will hear, then, are the natural resonant frequencies of the room articulated by speech. I regard this activity *“this activity” also recognizable* not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have. (- 07:46 min) Individual tones appear flatter. It seems like the tones start to align with each other. Also, it sounds as if there are some additional tones added which reverberate similar like a glass bottle in which someone blows would do.

Replay#6: I am sitting in a room *waves of sound appear* different from the one you are in now. I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any semblance of my speech, with perhaps the exception of rhythm, is destroyed. What you will hear, then, are the natural resonant frequencies of the room articulated by speech. I regard this activity not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have. (- 09:18 min) Now, I am not even sure if I would understand have the words if I wouldn’t be able to read them along. And, to be very honest Lucier’s voice almost sound like Harry Potter speaking parseltongue.

Replay#7: I am sitting in a room *waves of sound appear* different from the one *even higher tones* you are in now. I am recording the sound of my speaking voice *seems like the “I” tones appear as a higher whistle now* and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any semblance of my speech with perhaps the exception of rhythm, is destroyed. What you will hear, then, are the natural resonant frequencies of the room articulated by speech. I regard this activity not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have. (- 10:44 min) For me, this starts to sound like only squeaking waves of tones and noise. The high-pitched ones make it now very unpleasant to listen to.

Replay#8: (- 12:20 min) Honestly, now I am really not able to understand anything anymore. I even missed the start of replay and retape eight. Just a lot of squeaks and whistle like sound – some people would call them noises and I am one of those people.

Replay#9 and going on: I am definitely not able to track the start of each replay anymore. Listening to this is not anymore just “unpleasant.” Really. I am thinking about turning it off and it isn’t over for another two minutes. It seems as everything else but the feedback of the microphone is now completely subtracted.

In the end only the unique acoustics of this particular room are left. And also, my ears don’t stop ringing.

 

Comments

Popular posts from this blog

William Basinski – The Disintegration Loops III

  The Disintegration Loops is a quartet of albums published in 2002 and 2003 by American avant-garde composer William Basinski. The pieces are made up of tape loop recordings that were played over time, with noise and crackles rising as the tape deteriorated. Basinski noticed this effect when attempting to convert his older recordings to digital format. The completion of the recordings coincided with the September 11, 2001 events, which Basinski witnessed and adds a deeper meaning to the composition. The composition is fascinating in many ways and makes the listener lose track of time. The tape loop recording had a very calming effect on me and put me in a trance-like state when I listened to it in its entirety. The tape loop is really soothing, so much so that I didn't even notice the loss of quality when I first listened to it. It makes you forget about time and allows you to really get into the piece capturing the calmness it exudes. You forget or don't really notice how i...

Pauline Oliveros – The Goddard in the Dan Harpole Cistern

  After watching Dan Harpole's film of Goddard in the Cistern, one is struck by how creepy the location appears and feels. In the light, you can just make out a lengthy ladder leading down into a concrete-walled area. It's absolutely dark, with only the top hatch and a small lamp providing lighting. This sequence accounts for a significant portion of the plot. Three persons are seen climbing up and down the ladder, which might be regarded the music piece's official start. Additionally, while the name "Dan Harpole Cistern" suggests a vast space, it appears to be a homemade video. A hum and other vocal noises travel across the room, bouncing off the walls. The women's voices generate a hum that contributes to the room's unique feel. The beautiful singing is interrupted by metal fragments falling on the floor. One would ask how much thought went into the sounds, given that the majority of them appear to be chosen at random. The emphasis is not on making sound...

John Oswald – Plexure (Full Album)

  Jon Oswald was known for his Plunderphonics music pieces, where he created new pieces from already existing music recordings of famous artists and reworked them. Artists like Michael Jackson, who was also part of the cover on Plunderphonic, The Beatles, James Brown, Bing Crosby but also classical musicians like Beethoven and Bach were part of his pieces.   The first minute and a half of his album consists of a wild mix of R&B and hip-hop songs. They are single, very short sequences, about 2-3 seconds long, which were cut together. The first song was introduced with a sound that reminded me of Michael Jackson's Thriller. From minute five to about minute seven, the use of rock & roll music was recognizable. At the end, I recognized Madonna, Nirvana and again Michael Jackson, among others. Personally, I can hardly identify with this kind of music, because listening to the album, I felt the compilation was relatively arbitrary and not balanced with each other. I recogniz...