Skip to main content

John Cage - Listening Report

 

John Cage (1912-1992) is an US American componist and one of the most influential componists of the 20th century. Cage describes music as “a purposeful purposelessness” or “purposeless play” (1961), meaning that there is an absence of themes and typical norms. The focus is just on the activity of tones and silence, which represents life. According to Cage, there is no life with absolute silence because tones are an indicator for life. Complete silence can only correlate with the absence of life. Thus, Cage’s aim with his plays is to represent life.

An example for this approach is “4’33” by John Cage.”4’33” is a 4 minutes and 33 seconds long play by John Cage that, at first sight, seems to represent silence because nobody from the orchestra is playing their instruments. However, Cage’s definition shows that there is never silence. The play was full of accidental sounds, such as people talking, movement, people breathing and many more. All these different sounds have made the 4’33 play unique because none of the sounds are predictable, just like life itself.

 

Another characteristic approach of Cage is the idea of “contingency”. Cage defines contingency as “improvisation using elements in which there is a discontinuity between cause and effect”, which can be seen in the play “inlets” (1977).

Inlets consists of three performers simultaneously playing seashells filled with water and one performer playing a shell in circular breathing and with the sound of fire. All sounds that are created are captured and intensified by a microphone.

The shells have varying sizes and forms and therefore create different and individual sounds. Shaking and turning the seashells with different intensity and speed creates different sound intensities. The play ends by one performer breathing out deeply into a seashell, creating a very long, intensive, and deep sound, similar to a trumpet or horn. The water filled shells create deep and mysterious cave sounds that also remind of dripping water in an abandoned place.

For me, this play was very interesting because of the unique instruments. I have never heard a play before that used seashells as its main instrument or even knew that it is possible to create these kinds of sounds with seashells. In my opinion, the

 

 

sounds of “Inlets” have a movie character because of their similarity to sounds in mysterious caves and water dripping scenes. It is fascinating to see that the performers are able to create such a harmonious play without using typical instruments.

Comments

Popular posts from this blog

Listening Report on John Oswald: Plexure

 Sarah Kumar Dr. Bernd Herzogenrath The Future of (American) Music 06 Mar. 2023 Listening Report on John Oswald: Plexure According to John Oswald, “[a] plunderphone is a recognizable sonic quote, using the actual sound of something familiar which has already been recorded” (Lecture Slides 18). However, only if the source stays recognizable can it be called plunderphonics. In his album Plexure , several songs are played back and mixed together, thus creating a new sound. This is interesting because while the excerpts of songs that are used are recognizable or at least sound familiar to some degree, played backwards and mashed up as they are in Plexure , they create a new sound. Like on the cover of the album, on which a collage making up a man can be seen, the mixing of different songs played backwards gives a new feeling to something known. The way the songs are mixed makes them unintelligible. The meaning of the words of the original recordings are not able to be compr...

John Cage – Inlets

  This does not sound like music to me. Depending on the interpretation of different players or performers, this piece will always sound different. In this case, it sounds to me like someone is walking through a cave with water at the bottom, dragging their feet through it. Sometimes it sounds like water in a toilet bowl, especially when we hear the water in a bigger shell being swished around. These sounds are relaxing in the background, it is like a gentle stream of water. I just wonder what went through the head of the composer while writing this piece. But I guess he had some experimental ideas that are interesting to try out. Those shells are quite pretty, I have never seen such big ones that are not broken. I was surprised when something else happened towards the end of the piece. That tone which came out of the one shell was so clear, it sounded like a trumpet. I didn’t know that shells can sound like that. It was quite beautiful. It was a nice way to end the piece. I di...

William Basinski – The Disintegration Loops III

  The Disintegration Loops is a quartet of albums published in 2002 and 2003 by American avant-garde composer William Basinski. The pieces are made up of tape loop recordings that were played over time, with noise and crackles rising as the tape deteriorated. Basinski noticed this effect when attempting to convert his older recordings to digital format. The completion of the recordings coincided with the September 11, 2001 events, which Basinski witnessed and adds a deeper meaning to the composition. The composition is fascinating in many ways and makes the listener lose track of time. The tape loop recording had a very calming effect on me and put me in a trance-like state when I listened to it in its entirety. The tape loop is really soothing, so much so that I didn't even notice the loss of quality when I first listened to it. It makes you forget about time and allows you to really get into the piece capturing the calmness it exudes. You forget or don't really notice how i...