Skip to main content

John Luther Adams’ “Becoming Ocean” (2014)

 

The story Adams tells within this opera definitely gives you the chills. As stated in the announcement beforehand, the music feels like waves rising and falling. Hence, if I try to describe what it makes me feel it overwhelms me but I will try to describe how the music is translated within my mind as I am visual thinker.

When I close my eyes, I picture an empty glass vase formed like a human body with an ocean within – a restless sea and big waves rolling, filling up the fragile glass skin. When the music gets calmer and more peaceful, I also begin to associate and imagine a smoother water surface. Water slowly running through blue veins. A capillary system over the transparent glass body. The formation kind of looks like a natural water ecosystem; however, I also see a “steampunky” industrial touch to it as depending on the sounds there is steam coming out of supposedly vents. Although the glass body stands still, there is a whole restless universe within it. Those lighter tones, in my mind, are transformed to bubbles of oxygen that slowly ascend. Especially the harp, I think, evokes ways of tumbling emotions within myself which are visually turned into circles on the water. Circles like a stone would make if you would let it skip and jump over the blue sea. But there is no stone just the tones on which the water reacts and respons.

I am a visual thinker; therefore, it might be quiet interesting what I imagine listening to this artistically piece and how the sounds are translated into illustrations and images for me. I feel like my mind tries to process the waves of sounds with what I can imagine. If I would be hired to create visual support in form of an animation what I described is probably what I would do.

30 minutes into the music, I also would not wonder if Adams’ “Becoming Ocean” would have been the movie picture soundtrack of James Cameron’s “Avatar – The Way of Water.” I just watched the movie recently and both, the opera as well as the movie, were able to highlight how majestic the world – mother earth and her power – actually is. The two of them, each in their own way, are able to catch and portray feelings that are incomprehensible.

 

Comments

Popular posts from this blog

William Basinski – The Disintegration Loops III

  The Disintegration Loops is a quartet of albums published in 2002 and 2003 by American avant-garde composer William Basinski. The pieces are made up of tape loop recordings that were played over time, with noise and crackles rising as the tape deteriorated. Basinski noticed this effect when attempting to convert his older recordings to digital format. The completion of the recordings coincided with the September 11, 2001 events, which Basinski witnessed and adds a deeper meaning to the composition. The composition is fascinating in many ways and makes the listener lose track of time. The tape loop recording had a very calming effect on me and put me in a trance-like state when I listened to it in its entirety. The tape loop is really soothing, so much so that I didn't even notice the loss of quality when I first listened to it. It makes you forget about time and allows you to really get into the piece capturing the calmness it exudes. You forget or don't really notice how i...

Pauline Oliveros – The Goddard in the Dan Harpole Cistern

  After watching Dan Harpole's film of Goddard in the Cistern, one is struck by how creepy the location appears and feels. In the light, you can just make out a lengthy ladder leading down into a concrete-walled area. It's absolutely dark, with only the top hatch and a small lamp providing lighting. This sequence accounts for a significant portion of the plot. Three persons are seen climbing up and down the ladder, which might be regarded the music piece's official start. Additionally, while the name "Dan Harpole Cistern" suggests a vast space, it appears to be a homemade video. A hum and other vocal noises travel across the room, bouncing off the walls. The women's voices generate a hum that contributes to the room's unique feel. The beautiful singing is interrupted by metal fragments falling on the floor. One would ask how much thought went into the sounds, given that the majority of them appear to be chosen at random. The emphasis is not on making sound...

John Oswald – Plexure (Full Album)

  Jon Oswald was known for his Plunderphonics music pieces, where he created new pieces from already existing music recordings of famous artists and reworked them. Artists like Michael Jackson, who was also part of the cover on Plunderphonic, The Beatles, James Brown, Bing Crosby but also classical musicians like Beethoven and Bach were part of his pieces.   The first minute and a half of his album consists of a wild mix of R&B and hip-hop songs. They are single, very short sequences, about 2-3 seconds long, which were cut together. The first song was introduced with a sound that reminded me of Michael Jackson's Thriller. From minute five to about minute seven, the use of rock & roll music was recognizable. At the end, I recognized Madonna, Nirvana and again Michael Jackson, among others. Personally, I can hardly identify with this kind of music, because listening to the album, I felt the compilation was relatively arbitrary and not balanced with each other. I recogniz...