Skip to main content

John Luther Adams – Drums of Fire, Drums of Stone

 

John Luther Adams' "Drums of Fire, Drums of Stone" is a percussion composition written in 1997. It can be described as a powerful and driving rhythmic energy created by a large ensemble of percussion instruments, including drums, marimbas, etc. The interlocking rhythms of the percussion generate a sense of forward motion and urgency. Yet, simultaneously, the use of dynamics and timbre creates a sense of tension and release.

The piece has an intense vibe, similar to battlefield soundtracks or war-film background music. When I heard this piece, I was pretty struck by how fast this reminded me of series or films like Game of Thrones, Lord of the Rings, Hobbit, etc. even though these are massive installations and productions, Adams' piece is still minimalist in its composition. There is a focus on the interplay between simple, repetitive patterns of rhythm and texture. Additionally, it is structured around a series of rhythmic cycles, which gradually build in intensity and complexity throughout the composition. It was easy to get immersed in the piece and be swept off into a different world – the trance-like melody created by these percussion instruments simultaneously keeps an intensity to the music while also lulling the listener into a rhythmic and natural trance.

Overall, the hypnotic and trance-like quality of the music created a sense of transcendence and spiritual connection. Pulsing rhythms and textures of the percussion evoked images of fairy-tale-like rites, where a group of people is dancing rhythmically around a body of fire. It emits a sense of reverence for power that replicates the majesty of nature, especially fire. This made the music feel primal and elemental in a way that the qualities of percussion music highlighted even further. Its rhythmic intensity made it visceral and exhilarating to listen to the raw power of an almost ritualic rhythmic sound.

Comments

Popular posts from this blog

William Basinski – The Disintegration Loops III

  The Disintegration Loops is a quartet of albums published in 2002 and 2003 by American avant-garde composer William Basinski. The pieces are made up of tape loop recordings that were played over time, with noise and crackles rising as the tape deteriorated. Basinski noticed this effect when attempting to convert his older recordings to digital format. The completion of the recordings coincided with the September 11, 2001 events, which Basinski witnessed and adds a deeper meaning to the composition. The composition is fascinating in many ways and makes the listener lose track of time. The tape loop recording had a very calming effect on me and put me in a trance-like state when I listened to it in its entirety. The tape loop is really soothing, so much so that I didn't even notice the loss of quality when I first listened to it. It makes you forget about time and allows you to really get into the piece capturing the calmness it exudes. You forget or don't really notice how i...

Pierre Schaeffer - Étude pathétique

  Pierre Schaefer begins the piece with sounds produced by drums and similar percussion instruments. One hears the sound of an object spinning and then coming to a stop. I assume it is a circular object, like a cymbal or hi-hat of a drum kit, that spins until it comes to a stop. Sounds of a locomotive follow, continuing with a mixture of drums and spinning objects as well as voices. There are slight parallels here with another piece by Schaeffer, "etude aux chemins de fer," in which he has the musical piece consist of sounds of trains and locomotives. I also recognize an accordion and a violin playing rapidly, accompanied by human sounds that are not really decipherable. By combining all these background sounds and using human voices, Schaeffer creates an exciting atmosphere while listening to the piece, and the listener's auditory senses are constantly challenged to decipher all the details of the sounds. At times one could be reminded of a scene from a scary movie, at l...

Pauline Oliveros – The Goddard in the Dan Harpole Cistern

  After watching Dan Harpole's film of Goddard in the Cistern, one is struck by how creepy the location appears and feels. In the light, you can just make out a lengthy ladder leading down into a concrete-walled area. It's absolutely dark, with only the top hatch and a small lamp providing lighting. This sequence accounts for a significant portion of the plot. Three persons are seen climbing up and down the ladder, which might be regarded the music piece's official start. Additionally, while the name "Dan Harpole Cistern" suggests a vast space, it appears to be a homemade video. A hum and other vocal noises travel across the room, bouncing off the walls. The women's voices generate a hum that contributes to the room's unique feel. The beautiful singing is interrupted by metal fragments falling on the floor. One would ask how much thought went into the sounds, given that the majority of them appear to be chosen at random. The emphasis is not on making sound...