Plunderphonics is known for its use
of digital sampling and manipulation techniques, which allow artists to create
new compositions from existing recordings. This was pioneered by composer John
Oswald who uses different samples to create his own songs. Similar to mashups,
a technique that combines two similar songs, Oswald used sounds that did not
originate in songs. This is recognizable in the first sounds of his album 69
Plunderphonics 96, in which he uses a sound that is very similar to the startup
sounds of apple computers. I think he altered the sound to change its pitch and
gradually changes the synchronization of the different notes within the chord.
This gets replaced by a voice that could have originated from a TV show or
advertisement. The song really starts with a voice screaming, “Power”, the
instruments start playing and the word “Power” gets accompanied by different
phrases rhythmically. The percussions lead the rhythm of this song. A speech that could have originated from a TV
prayer session arises. This passionate but heavenly speech gets accompanied by
rock and roll style music- drums and e-guitars. Maybe a juxtaposition to the
prayer speech or underlining the fact that the person talks very passionately
and that this fits more to rock and roll than to a holy mass. The next song
starts with percussions that sound like an engine starting. At first, the
rhythm is kind of random but normalizes and The-Beetles-like singing gets
introduced. Then, a “normal” singing part disrupts the slightly chaotic rhythm,
but this gets cut off almost immediately by an undefinable pattern, a mixture
of drums, voices, and sound effects. A scream introduces a more traditional
part with sounds that could have originated from an organ. The singing voices
seem to be a compilation of famous 60s/70s bands and singers. I think I
recognized The Beetles, Queens, Michael Jackson, and Elvis Presley. An
interesting way to experience music and a great example of how to use already-established
pieces of art and create something new and original. With the help of lyrics,
Oswald was capable to give new meaning to the songs and create compelling and
well-composed songs.
The Disintegration Loops is a quartet of albums published in 2002 and 2003 by American avant-garde composer William Basinski. The pieces are made up of tape loop recordings that were played over time, with noise and crackles rising as the tape deteriorated. Basinski noticed this effect when attempting to convert his older recordings to digital format. The completion of the recordings coincided with the September 11, 2001 events, which Basinski witnessed and adds a deeper meaning to the composition. The composition is fascinating in many ways and makes the listener lose track of time. The tape loop recording had a very calming effect on me and put me in a trance-like state when I listened to it in its entirety. The tape loop is really soothing, so much so that I didn't even notice the loss of quality when I first listened to it. It makes you forget about time and allows you to really get into the piece capturing the calmness it exudes. You forget or don't really notice how i...
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