Skip to main content

Listening Report – David Rothenberg: Insect Choir

The “Insect Choir” by David Rothenberg consists of the composer himself playing the clarinet and the sounds of an insect swarm.

The sounds of the swarm remind me as a listener of some kind of rustling. Nevertheless, the sound of the swarm is very well-known for the listener and is easily recognizable after knowing the title of the composition. The sound made by the insects has a very calming on me as a listener. This calming ambience is mostly caused by the steady flow of sounds without any major changes.

The play of the clarinet by the composer disrupts the feeling of calm experienced by the listener since it breaks the steady flow of the swarm sounds. Additionally, the sounds made by the clarinet do not find in any way to the sounds made by the insects and can therefore also be seen as a rather uncomfortable noise.

Due to the knowledge given by the composer about the swarm sounds appearing during the period of mating for the insects, the listener can perceive the sounds as the sound of life. However, I as a listener interpret the sounds as a sound of the wild and untamed nature since insect swarms can no longer be seen or heard in many human-populated environments. Only in true, untouched nature can insect swarms mate in high numbers which causes the sounds that resemble a choir.

By focusing on sounds made by mostly uninhabited nature, the composer could have intended to give a message for the listener about the decrease of nature and the sounds created by it with the ability to give the listener a feeling of peace as a heavy contrast to the noise caused by civilized, human-made environments which also cause the decrease of nature.

Comments

Popular posts from this blog

Listening Report on John Oswald: Plexure

 Sarah Kumar Dr. Bernd Herzogenrath The Future of (American) Music 06 Mar. 2023 Listening Report on John Oswald: Plexure According to John Oswald, “[a] plunderphone is a recognizable sonic quote, using the actual sound of something familiar which has already been recorded” (Lecture Slides 18). However, only if the source stays recognizable can it be called plunderphonics. In his album Plexure , several songs are played back and mixed together, thus creating a new sound. This is interesting because while the excerpts of songs that are used are recognizable or at least sound familiar to some degree, played backwards and mashed up as they are in Plexure , they create a new sound. Like on the cover of the album, on which a collage making up a man can be seen, the mixing of different songs played backwards gives a new feeling to something known. The way the songs are mixed makes them unintelligible. The meaning of the words of the original recordings are not able to be compr...

William Basinski – The Disintegration Loops III

  The Disintegration Loops is a quartet of albums published in 2002 and 2003 by American avant-garde composer William Basinski. The pieces are made up of tape loop recordings that were played over time, with noise and crackles rising as the tape deteriorated. Basinski noticed this effect when attempting to convert his older recordings to digital format. The completion of the recordings coincided with the September 11, 2001 events, which Basinski witnessed and adds a deeper meaning to the composition. The composition is fascinating in many ways and makes the listener lose track of time. The tape loop recording had a very calming effect on me and put me in a trance-like state when I listened to it in its entirety. The tape loop is really soothing, so much so that I didn't even notice the loss of quality when I first listened to it. It makes you forget about time and allows you to really get into the piece capturing the calmness it exudes. You forget or don't really notice how i...

John Cage – Inlets

  This does not sound like music to me. Depending on the interpretation of different players or performers, this piece will always sound different. In this case, it sounds to me like someone is walking through a cave with water at the bottom, dragging their feet through it. Sometimes it sounds like water in a toilet bowl, especially when we hear the water in a bigger shell being swished around. These sounds are relaxing in the background, it is like a gentle stream of water. I just wonder what went through the head of the composer while writing this piece. But I guess he had some experimental ideas that are interesting to try out. Those shells are quite pretty, I have never seen such big ones that are not broken. I was surprised when something else happened towards the end of the piece. That tone which came out of the one shell was so clear, it sounded like a trumpet. I didn’t know that shells can sound like that. It was quite beautiful. It was a nice way to end the piece. I di...