Skip to main content

Listening Report – John Cage: Water Walk

John Cage’s “Water Walk” was performed at a Television Show in 1960. The performance includes several objects that are known as ordinary household objects, such as a bathtub, or a cooking pot. John Cage also uses a different variation of a piano which is called “prepared piano”, a stopwatch, and a recording device.

The Water Walk shows similarities to a performance of classical music, played by an orchestra. While an orchestra contains a variety of instruments, the Water Walk by John Cage replaces the instruments and uses household items instead. Another similarity can be seen at the precise timing for the usage of the objects: Just like an Orchestra, John Cage follows a strict plan to have the objects create the sound at the right time and therefore be in the right order. The performer also possesses the role of the director, since he is in control of the objects and creates the right sound at the right time, just like a director in an orchestra tells the instrumentalists when to play and when to stop to create harmony between the sounds.

The beginning of the Water Walk contains the creation of a rather horrifying sound by the prepared piano, followed by sounds that are made by various objects. The disturbing feeling is being reinforced by the scenery of the Water Walk, since it can be seen as odd to see how different sounds are made by putting objects inside a glass, putting water from the bathtub into a water pitcher, or hitting the bathtub with a stick-like object while looking at the stopwatch for the right timing.

However, it can also be interesting to see what sounds are made by everyday objects that do not get the attention of listeners when they appear while being used in a household, due to their lack of specialty. Therefore, it can be assumed that everything can be seen as music if people draw their attention towards it.

During the performance of the Water Walk, laughter can be heard by the audience which means that the Water Walk was perceived as something that is humoristic and entertaining, rather than something that is artistic and intellectual like a performance in an orchestra. The Audience would have shown a rather silent and attentive reaction if the performance contains classical music. This leads to the assumption that John Cage’s “Water Walk” is meant to be a parody of classical music performances and orchestras.

Comments

Popular posts from this blog

William Basinski – The Disintegration Loops III

  The Disintegration Loops is a quartet of albums published in 2002 and 2003 by American avant-garde composer William Basinski. The pieces are made up of tape loop recordings that were played over time, with noise and crackles rising as the tape deteriorated. Basinski noticed this effect when attempting to convert his older recordings to digital format. The completion of the recordings coincided with the September 11, 2001 events, which Basinski witnessed and adds a deeper meaning to the composition. The composition is fascinating in many ways and makes the listener lose track of time. The tape loop recording had a very calming effect on me and put me in a trance-like state when I listened to it in its entirety. The tape loop is really soothing, so much so that I didn't even notice the loss of quality when I first listened to it. It makes you forget about time and allows you to really get into the piece capturing the calmness it exudes. You forget or don't really notice how i...

Pierre Schaeffer - Étude pathétique

  Pierre Schaefer begins the piece with sounds produced by drums and similar percussion instruments. One hears the sound of an object spinning and then coming to a stop. I assume it is a circular object, like a cymbal or hi-hat of a drum kit, that spins until it comes to a stop. Sounds of a locomotive follow, continuing with a mixture of drums and spinning objects as well as voices. There are slight parallels here with another piece by Schaeffer, "etude aux chemins de fer," in which he has the musical piece consist of sounds of trains and locomotives. I also recognize an accordion and a violin playing rapidly, accompanied by human sounds that are not really decipherable. By combining all these background sounds and using human voices, Schaeffer creates an exciting atmosphere while listening to the piece, and the listener's auditory senses are constantly challenged to decipher all the details of the sounds. At times one could be reminded of a scene from a scary movie, at l...

Pauline Oliveros – The Goddard in the Dan Harpole Cistern

  After watching Dan Harpole's film of Goddard in the Cistern, one is struck by how creepy the location appears and feels. In the light, you can just make out a lengthy ladder leading down into a concrete-walled area. It's absolutely dark, with only the top hatch and a small lamp providing lighting. This sequence accounts for a significant portion of the plot. Three persons are seen climbing up and down the ladder, which might be regarded the music piece's official start. Additionally, while the name "Dan Harpole Cistern" suggests a vast space, it appears to be a homemade video. A hum and other vocal noises travel across the room, bouncing off the walls. The women's voices generate a hum that contributes to the room's unique feel. The beautiful singing is interrupted by metal fragments falling on the floor. One would ask how much thought went into the sounds, given that the majority of them appear to be chosen at random. The emphasis is not on making sound...