Alvin Lucier is not only a composer, but
also a sort of scientist of sounds: almost all of his works have been
influenced by science, in fact he loves to explore the physical properties of
sound itself like resonance of spaces, phase interference between closely tuned
pitches, and the transmission of sound through physical media. Unlike the other
artists analyzed, who focus more on the nature of sounds and their artistic
capabilities, Lucier plays with the sound, trying to understand which
properties it has and what it can potentially and tangibly do.
His most famous experiment is without any
doubt I am sitting in my room (1969), in which Lucier records
himself narrating a text, and then plays the recording back into the room,
re-recording it: the effect is that certain frequencies are gradually
emphasized as they resonate in the room, until eventually the words become
unintelligible, replaced by the pure resonant harmonies and tones of the room
itself. Despite this, I found the experiment Nothing is real (1990) very
interesting too, because it encapsulates the nature of performance in front of
an audience, that cannot believe what is happening on stage.
At the beginning Lucier plays fragments of
the famous Strawberry Fields Forever of the Beatles, which is
contemporarily recorded. In the second part of the piece, the recording is
played back from a small loudspeaker hidden inside a teapot. The sound of the
playback is altered by different positions of the lid (e.g., open, closed,
partially closed, partially open...) or by lifting the closed teapot off the
piano. From time to time even “melodic lines” – as indicated in the score – are
created by changing the distance of the lid to the teapot.
Lucier hides the technical details, and
for the listener, the sounds coming from the teapot are somewhat ghostlike.
Maybe because of this, the whole situation reminds us of the fairytale “Aladdin
and the Magic Lamp”. I find Lucier’s work very interesting and It’s always
amazing to listen to some good piano!
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