Skip to main content

Listening Report – Meredith Monk: Gotham Lullaby

Meredith Monk’s “Gotham Lullaby” was performed at the Lensic Center for the Performing Arts in 2004. Only a piano and the voice of the performer are needed for this composition.

Gotham Lullaby starts with a harmonious piano play which is combined with the vocal performance of Meredith Monk. Just like Pauline Oliveiros, the performer uses her voice, but does not combine it with any lyrics or words. It can be assumed that the emphasis is more on the emotions and the meaning that will be conveyed through the melody of voice and piano.

The emotion that can be felt in Gotham Lullaby are mostly sorrow and sadness, due to use of tones that I as a listener connect with sadness. However, the interpretation of the voice and the emotion that will be felt is highly subjective and varies from listener to listener. Meredith Monk sometimes also uses very high notes which contain more air and are less clear than the rest of the tones used in this composition. Those sounds are rather disruptive than suitable for the song. The weak high notes in the song can also be interpreted as a dying cry for help in a sad world.

The title “Gotham Lullaby” fits to the Composition since the melody of the voice also has a calming and soothing effect on the listener which is complemented with the steady flow of the piano and the pleasant sounds that are being created. The use of the word “Gotham” reminds me as a listener of Gotham City, a fictive city in the DC comics universe which, especially at night, is filled with danger, fear, and sadness. These emotions can also be felt during the performance. Therefore, the Gotham Lullaby can be seen as an escape from a world that is filled with dangers, fears, and sadness and is meant to soothe the listener.

Gotham Lullaby shows an advantage of Meredith Monk’s use of voice. The listener is not bound to any kind of interpretation by the composer and can freely interpret the song with their own emotions and experiences and therefore put their own words into the composition.

Just like Pauline Oliveiros, Meredith Monk does not use regular words or any kind of lyrics in her songs. Instead, both use sounds made by human voice in their compositions. However, Pauline Oliveiros has a bigger emphasis on the spatial aspects of sounds and how it behaves regarding echos. Meredith Monk focuses on the emotions conveyed through the sounds.

Comments

Popular posts from this blog

William Basinski – The Disintegration Loops III

  The Disintegration Loops is a quartet of albums published in 2002 and 2003 by American avant-garde composer William Basinski. The pieces are made up of tape loop recordings that were played over time, with noise and crackles rising as the tape deteriorated. Basinski noticed this effect when attempting to convert his older recordings to digital format. The completion of the recordings coincided with the September 11, 2001 events, which Basinski witnessed and adds a deeper meaning to the composition. The composition is fascinating in many ways and makes the listener lose track of time. The tape loop recording had a very calming effect on me and put me in a trance-like state when I listened to it in its entirety. The tape loop is really soothing, so much so that I didn't even notice the loss of quality when I first listened to it. It makes you forget about time and allows you to really get into the piece capturing the calmness it exudes. You forget or don't really notice how i...

Pierre Schaeffer - Étude pathétique

  Pierre Schaefer begins the piece with sounds produced by drums and similar percussion instruments. One hears the sound of an object spinning and then coming to a stop. I assume it is a circular object, like a cymbal or hi-hat of a drum kit, that spins until it comes to a stop. Sounds of a locomotive follow, continuing with a mixture of drums and spinning objects as well as voices. There are slight parallels here with another piece by Schaeffer, "etude aux chemins de fer," in which he has the musical piece consist of sounds of trains and locomotives. I also recognize an accordion and a violin playing rapidly, accompanied by human sounds that are not really decipherable. By combining all these background sounds and using human voices, Schaeffer creates an exciting atmosphere while listening to the piece, and the listener's auditory senses are constantly challenged to decipher all the details of the sounds. At times one could be reminded of a scene from a scary movie, at l...

Pauline Oliveros – The Goddard in the Dan Harpole Cistern

  After watching Dan Harpole's film of Goddard in the Cistern, one is struck by how creepy the location appears and feels. In the light, you can just make out a lengthy ladder leading down into a concrete-walled area. It's absolutely dark, with only the top hatch and a small lamp providing lighting. This sequence accounts for a significant portion of the plot. Three persons are seen climbing up and down the ladder, which might be regarded the music piece's official start. Additionally, while the name "Dan Harpole Cistern" suggests a vast space, it appears to be a homemade video. A hum and other vocal noises travel across the room, bouncing off the walls. The women's voices generate a hum that contributes to the room's unique feel. The beautiful singing is interrupted by metal fragments falling on the floor. One would ask how much thought went into the sounds, given that the majority of them appear to be chosen at random. The emphasis is not on making sound...