Meredith Monk´s piece
“Songs of Ascension” has to be the closest to what is considered “normal”
classical music from all the pieces I have listened to so far. Nonetheless, it
carries a distinct sound and atmosphere that puts it a step above standard classical
music. While Monk utilized a classical ensemble, the soundscape of “Songs of
Ascension” is characterized by an almost spiritual sense of transcendence,
stemming in a large part from unique location the piece was recorded in.
One of the most
striking features of "Songs of Ascension" is the use of vocal
techniques that are inspired by traditional world music, including techniques
such as throat singing and yodeling. These techniques add a layer of texture
and complexity to the choral parts, creating a rich and vibrant sound that is
both mesmerizing and otherworldly. At the same time, Meredith Monk utilizes
traditional and experimental instruments as well, travelling well beyond the
scope of a simple classical piece.
This unique mix of
vocal technique and instruments creates a sound that feels historic yet modern,
ancient yet contemporary at the same times. At the same time, “Songs of
Ascension” certainly lives up to its name, by creating a uniquely spiritual
experience. With a soundscape that feels almost ritualistic at times, “Songs of
Ascension” transcends past traditional classic music, while at the same
utilizing musical aspects from a range of differing traditions and cultures.
Lastly, “Songs of
Ascension” can not only be considered a musical experience, as Monk´s use of
dance and choreography flowing seamlessly into the music, further emphasizing
the ritualistic and spiritual aspects of the piece.
All in all, Meredith
Monk´s “Songs of Ascension” is a one of a kind mix of classical and
traditional, as well as avantgarde, music. It utilizes a stunning range of
instruments and vocal techniques to create a spiritual experience that is only
enhanced by the unique location and Monk´s incredible choreography.
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