Skip to main content

Listening Report – Steve Reich: It’s Gonna Rain

Steve Reich’s composition “It’s Gonna Rain” was published in 1968 and can be put into the genre of minimal music. The composition itself consists only of the utterance “It’s gonna rain” which is being repeated and played in different speeds.

The composition begins with the speech which ends with the utterance “It’s gonna rain”. The utterance mentioned is being repeated throughout the entire composition in various speeds. By using fast repetition, the listener can start to hear utterances or sounds that differ completely from the original sentence and thus make it hardly understandable. Only through concentrated listening, the listener could be able to keep on hearing the original sentence. I was able to hear a train ride and the noise created by a train while driving on the railroad. This noise can also be interpreted as a rhythm, produced through fast recurrence.

In the beginning of the song, the sentence “It’s gonna rain” was still synchronized with the listener and therefore easily understandable. However, due to the variation in speed, the listener is not able to focus on each repetition and starts to blend the repetitions together which causes the creation of different sounds and utterances for the listener.

During the composition, the composer also switches the focus from the left audio channel to the right, or vice versa. By attentive listening, it is also noticeable that the utterance is also being played on different speeds on the audio channels. The right audio channel appears to repeat the sentence on a slower level than the left audio channel which increases the chance for the listener to create new sounds with the same sentence in different speeds.

This composition can be seen as a part of minimalistic music since it uses the same sound and only modifies it by using different speeds for the sound and thereby creating a completely new composition.

Comments

Popular posts from this blog

William Basinski – The Disintegration Loops III

  The Disintegration Loops is a quartet of albums published in 2002 and 2003 by American avant-garde composer William Basinski. The pieces are made up of tape loop recordings that were played over time, with noise and crackles rising as the tape deteriorated. Basinski noticed this effect when attempting to convert his older recordings to digital format. The completion of the recordings coincided with the September 11, 2001 events, which Basinski witnessed and adds a deeper meaning to the composition. The composition is fascinating in many ways and makes the listener lose track of time. The tape loop recording had a very calming effect on me and put me in a trance-like state when I listened to it in its entirety. The tape loop is really soothing, so much so that I didn't even notice the loss of quality when I first listened to it. It makes you forget about time and allows you to really get into the piece capturing the calmness it exudes. You forget or don't really notice how i...

Pauline Oliveros – The Goddard in the Dan Harpole Cistern

  After watching Dan Harpole's film of Goddard in the Cistern, one is struck by how creepy the location appears and feels. In the light, you can just make out a lengthy ladder leading down into a concrete-walled area. It's absolutely dark, with only the top hatch and a small lamp providing lighting. This sequence accounts for a significant portion of the plot. Three persons are seen climbing up and down the ladder, which might be regarded the music piece's official start. Additionally, while the name "Dan Harpole Cistern" suggests a vast space, it appears to be a homemade video. A hum and other vocal noises travel across the room, bouncing off the walls. The women's voices generate a hum that contributes to the room's unique feel. The beautiful singing is interrupted by metal fragments falling on the floor. One would ask how much thought went into the sounds, given that the majority of them appear to be chosen at random. The emphasis is not on making sound...

John Oswald – Plexure (Full Album)

  Jon Oswald was known for his Plunderphonics music pieces, where he created new pieces from already existing music recordings of famous artists and reworked them. Artists like Michael Jackson, who was also part of the cover on Plunderphonic, The Beatles, James Brown, Bing Crosby but also classical musicians like Beethoven and Bach were part of his pieces.   The first minute and a half of his album consists of a wild mix of R&B and hip-hop songs. They are single, very short sequences, about 2-3 seconds long, which were cut together. The first song was introduced with a sound that reminded me of Michael Jackson's Thriller. From minute five to about minute seven, the use of rock & roll music was recognizable. At the end, I recognized Madonna, Nirvana and again Michael Jackson, among others. Personally, I can hardly identify with this kind of music, because listening to the album, I felt the compilation was relatively arbitrary and not balanced with each other. I recogniz...