Skip to main content

Meredith Monk – Ascent

 

Meredith Monk’s musical piece “Ascent” is a nine-minute-long work that is based on the haunting vocals accompanied by the string instruments, creating a unity of different elements. It begins with the string instruments and Monk’s haunting vocal, then goes in a soaring tune. The changes in vocal parts of the first couple of minutes with the male and female vocalists happen as if every vocalist introduces themselves. Afterwards, we do not hear singers for about a minute and instruments get under the spotlight. This short break comes to an end with the singers entering altogether. The uplifting vocals together with the soaring melody are evocative of our inner spiritual journey.

As its name suggests, the piece illustrates some kind of ascent until the end of the seventh minute, which then slowly fades away. Following the seventh minute, the vocals and the instruments do not overlap that overpoweringly anymore. The listener is given a sense of communication between the instruments and the vocals that sounds like the final phase of ascending is approaching. It is then not uplifting anymore; however, it prepares the listener to slowly start descending.

“Ascent” is a powerful and evocative experience of some spiritual journey that takes about nine and a half minutes. With the use of non-verbal vocalization, the tonal qualities of Monk’s voice come to the forefront throughout the music. It reminds me of Freytag’s Pyramid starting with the slow tunes and vocalizations that lead the way to the journey upwards to the climax, the reaching of the climax in the middle of the piece with the high vocals alongside the loud string instruments, then finally carrying it to the resolution slowly by the use of lower tones and the separation of vocals from the instruments. Overall, those strong elements provided by the artist make the listener connect with the more profound ambiance.

Comments

Popular posts from this blog

William Basinski – The Disintegration Loops III

  The Disintegration Loops is a quartet of albums published in 2002 and 2003 by American avant-garde composer William Basinski. The pieces are made up of tape loop recordings that were played over time, with noise and crackles rising as the tape deteriorated. Basinski noticed this effect when attempting to convert his older recordings to digital format. The completion of the recordings coincided with the September 11, 2001 events, which Basinski witnessed and adds a deeper meaning to the composition. The composition is fascinating in many ways and makes the listener lose track of time. The tape loop recording had a very calming effect on me and put me in a trance-like state when I listened to it in its entirety. The tape loop is really soothing, so much so that I didn't even notice the loss of quality when I first listened to it. It makes you forget about time and allows you to really get into the piece capturing the calmness it exudes. You forget or don't really notice how i...

Pierre Schaeffer - Étude pathétique

  Pierre Schaefer begins the piece with sounds produced by drums and similar percussion instruments. One hears the sound of an object spinning and then coming to a stop. I assume it is a circular object, like a cymbal or hi-hat of a drum kit, that spins until it comes to a stop. Sounds of a locomotive follow, continuing with a mixture of drums and spinning objects as well as voices. There are slight parallels here with another piece by Schaeffer, "etude aux chemins de fer," in which he has the musical piece consist of sounds of trains and locomotives. I also recognize an accordion and a violin playing rapidly, accompanied by human sounds that are not really decipherable. By combining all these background sounds and using human voices, Schaeffer creates an exciting atmosphere while listening to the piece, and the listener's auditory senses are constantly challenged to decipher all the details of the sounds. At times one could be reminded of a scene from a scary movie, at l...

Pauline Oliveros – The Goddard in the Dan Harpole Cistern

  After watching Dan Harpole's film of Goddard in the Cistern, one is struck by how creepy the location appears and feels. In the light, you can just make out a lengthy ladder leading down into a concrete-walled area. It's absolutely dark, with only the top hatch and a small lamp providing lighting. This sequence accounts for a significant portion of the plot. Three persons are seen climbing up and down the ladder, which might be regarded the music piece's official start. Additionally, while the name "Dan Harpole Cistern" suggests a vast space, it appears to be a homemade video. A hum and other vocal noises travel across the room, bouncing off the walls. The women's voices generate a hum that contributes to the room's unique feel. The beautiful singing is interrupted by metal fragments falling on the floor. One would ask how much thought went into the sounds, given that the majority of them appear to be chosen at random. The emphasis is not on making sound...