Skip to main content

Meredith Monk - Gotham Lullaby

 

The following report speech is about Meredith Monk’s song and performance “Gotham Lullaby“. The first part will describe the song, its’ tones and melody, and Monk’s use of sub-phrases. Afterward, I will report how I personally felt while listening to “Gotham Lullaby“.

The song and Monk’s singing of sub-phrases are accompanied by piano, played by herself. “Gotham Lullaby“ is split into three shorter sub phrases, in which she sings mainly lutes as the following: “: [wah lah so]  [wah lah lah ley lah lah lah seh na na seh]  [wah la la , la la la la]“. The song is four minutes and 33 seconds long. Monk’s song can be described as harmonious, smooth, and regular. This harmony and the regular pattern of the song is interrupted twice from minute 1.47 to 1.53 and 2.21 to 2.38 by Meredith Monk giving high-pitched and moaning tones forth. Nevertheless, the overall pattern of phrasing and the melody of “Gotham Lullaby“ remains constant. In fact, Meredith Monk is known for her use of syllables and sounds instead of using real words and sentences. Hence, Monk singing syllables and tones give the impression of her inventing a new language with which she can express her emotions, intimate thoughts, and feelings; it seems as if the fully formed English language or other languages are not enough to express herself. Furthermore, the pattern of the piano playing remains constantly the same and the the chords and notes do not demonstrate a diverse variation. Overall, the song’s pitch consists of higher tones.

Monk’s “Gotham Lullaby“ reminded me of a traditional folksong. Monk’s use of syllables and tones creates the impression of strategy and coincidence at the same time; it seems as if Monk exactly knows what to sing and which pitches to use and concurrently sings intuitively from a gut feeling. In addition to that, as the title of the song “Gotham Lullaby“ shows, the song reminds me of a lullaby. Lullabies in general reawaken well-being, harmonious, positive, familiar, and homey feelings, and impressions. Besides, the tone of humming has a further calming and comforting impact on the listener. Monk ends her song by fading away her piano playing which does not create an impression of imperfection and incompleteness.

From my point of view, “Gotham Lullaby“ is a calming song full of emotions. Although Meredith Monk does not use a real language, but only syllables, and tones, her emotions, thoughts and feelings are clearly communicated throughout her ordinary music. Overall, music is an instrument to communicate, share and express thoughts and feelings. However, I liked how she still conveys her idea of music and feelings by only using sub-phrases.

Comments

Popular posts from this blog

Listening Report on John Oswald: Plexure

 Sarah Kumar Dr. Bernd Herzogenrath The Future of (American) Music 06 Mar. 2023 Listening Report on John Oswald: Plexure According to John Oswald, “[a] plunderphone is a recognizable sonic quote, using the actual sound of something familiar which has already been recorded” (Lecture Slides 18). However, only if the source stays recognizable can it be called plunderphonics. In his album Plexure , several songs are played back and mixed together, thus creating a new sound. This is interesting because while the excerpts of songs that are used are recognizable or at least sound familiar to some degree, played backwards and mashed up as they are in Plexure , they create a new sound. Like on the cover of the album, on which a collage making up a man can be seen, the mixing of different songs played backwards gives a new feeling to something known. The way the songs are mixed makes them unintelligible. The meaning of the words of the original recordings are not able to be compr...

John Cage – Inlets

  This does not sound like music to me. Depending on the interpretation of different players or performers, this piece will always sound different. In this case, it sounds to me like someone is walking through a cave with water at the bottom, dragging their feet through it. Sometimes it sounds like water in a toilet bowl, especially when we hear the water in a bigger shell being swished around. These sounds are relaxing in the background, it is like a gentle stream of water. I just wonder what went through the head of the composer while writing this piece. But I guess he had some experimental ideas that are interesting to try out. Those shells are quite pretty, I have never seen such big ones that are not broken. I was surprised when something else happened towards the end of the piece. That tone which came out of the one shell was so clear, it sounded like a trumpet. I didn’t know that shells can sound like that. It was quite beautiful. It was a nice way to end the piece. I di...

William Basinski – The Disintegration Loops III

  The Disintegration Loops is a quartet of albums published in 2002 and 2003 by American avant-garde composer William Basinski. The pieces are made up of tape loop recordings that were played over time, with noise and crackles rising as the tape deteriorated. Basinski noticed this effect when attempting to convert his older recordings to digital format. The completion of the recordings coincided with the September 11, 2001 events, which Basinski witnessed and adds a deeper meaning to the composition. The composition is fascinating in many ways and makes the listener lose track of time. The tape loop recording had a very calming effect on me and put me in a trance-like state when I listened to it in its entirety. The tape loop is really soothing, so much so that I didn't even notice the loss of quality when I first listened to it. It makes you forget about time and allows you to really get into the piece capturing the calmness it exudes. You forget or don't really notice how i...