Skip to main content

Meredith Monk – “I Believe in The Healing Power of Art”

 

Melanie Diehl (6887890)

Prof. Dr. Bernd Herzogenrath

Winter Semester 2022/2023

The Future of American Music

Listening Reports - 21.02.2023

Meredith Monk – “I Believe in The Healing Power of Art”

This is what I thought when I saw the video on Monk and listened to her music and her expression. Meredith Monk can be seen as either a crazy woman or they get her. I believe as far as the poetic expression displayed theatrically on themes like fascism is already a difficult task on its own. However, it is also dramatic, and that fits in theatre. It is where I think as an artist you have a broader range of creative space.

She strikes me as an artist who studies about a certain piece she would play and freestyle it with perfection alone from her experience and her knowledge. It is difficult to explain, but her usage of art to express political issues, is interesting and truly healing because as an audience seeing that, it kind of grasps you too. That is why some still go to the opera. It is also the direction I like. The theatrical of how she displayed war times, some which fit the situation too. Perfectly displayed if you ask me.

Monk, Oliveros, and Lucier all shared an interest in exploring the possibilities of the human voice in their music. Though this paper is only going to look into Monk’s vocal style and will discuss the others in other reports. Interestingly, Monk's vocal style incorporates a range of techniques, from extended vocal techniques to Eastern European folk singing. The way she used her own voice as an instrument was quite impressive. Not a lot of people can do that, and I’ve been to shows where people create sounds of various objects and situational tones, which is fun and very amusing.

Meredith Monk's artistic legacy is one of innovation, experimentation, and boundary-pushing, and her influence continues to be felt in the arts and music world today. Her vocal advocacy through arts has helped establish her as a unique and innovative voice in contemporary music and performance.

Comments

Popular posts from this blog

Listening Report on John Oswald: Plexure

 Sarah Kumar Dr. Bernd Herzogenrath The Future of (American) Music 06 Mar. 2023 Listening Report on John Oswald: Plexure According to John Oswald, “[a] plunderphone is a recognizable sonic quote, using the actual sound of something familiar which has already been recorded” (Lecture Slides 18). However, only if the source stays recognizable can it be called plunderphonics. In his album Plexure , several songs are played back and mixed together, thus creating a new sound. This is interesting because while the excerpts of songs that are used are recognizable or at least sound familiar to some degree, played backwards and mashed up as they are in Plexure , they create a new sound. Like on the cover of the album, on which a collage making up a man can be seen, the mixing of different songs played backwards gives a new feeling to something known. The way the songs are mixed makes them unintelligible. The meaning of the words of the original recordings are not able to be compr...

William Basinski – The Disintegration Loops III

  The Disintegration Loops is a quartet of albums published in 2002 and 2003 by American avant-garde composer William Basinski. The pieces are made up of tape loop recordings that were played over time, with noise and crackles rising as the tape deteriorated. Basinski noticed this effect when attempting to convert his older recordings to digital format. The completion of the recordings coincided with the September 11, 2001 events, which Basinski witnessed and adds a deeper meaning to the composition. The composition is fascinating in many ways and makes the listener lose track of time. The tape loop recording had a very calming effect on me and put me in a trance-like state when I listened to it in its entirety. The tape loop is really soothing, so much so that I didn't even notice the loss of quality when I first listened to it. It makes you forget about time and allows you to really get into the piece capturing the calmness it exudes. You forget or don't really notice how i...

Pierre Schaeffer - Étude pathétique

  Pierre Schaefer begins the piece with sounds produced by drums and similar percussion instruments. One hears the sound of an object spinning and then coming to a stop. I assume it is a circular object, like a cymbal or hi-hat of a drum kit, that spins until it comes to a stop. Sounds of a locomotive follow, continuing with a mixture of drums and spinning objects as well as voices. There are slight parallels here with another piece by Schaeffer, "etude aux chemins de fer," in which he has the musical piece consist of sounds of trains and locomotives. I also recognize an accordion and a violin playing rapidly, accompanied by human sounds that are not really decipherable. By combining all these background sounds and using human voices, Schaeffer creates an exciting atmosphere while listening to the piece, and the listener's auditory senses are constantly challenged to decipher all the details of the sounds. At times one could be reminded of a scene from a scary movie, at l...