Skip to main content

Meredith Monk – Songs of Ascension Listening Report

 

Song of Ascension is a collection of musical pieces recorded in the Ann Hamilton Tower in Geyserville CA. The final installation is supposed to have 24 track recordings in 4 different zones of the tower. It starts with layered humming and the video shows around 30 people standing alongside the railing going up the tower. It is clear that this is a collaboration of many people with the help of singing and playing different instruments. The humming gets replaced by sounds that could have been produced by an accordion. In addition, different singers create short tones with their voices. Sounds like “HE”; HO; HA”. We see Meredith Monk is one of the singers. While singing, they use rhythmic walking, going a few steps up the stairs and then back. The second part consists of people playing string instruments. The dancing gets more distinctly. The third part is introduced with a woman singing harmonically, one violin adds to the minimal scene. She is going up the stairs. The forthcoming parts are a combination of different instruments and singing. Noticeably, we see Meredith Monk singing in an indistinct language, possibly no language at all. It would be very hard for me personally to make any sense of the whole performance except noticing that it is, in our western sense of music, harmonic and in tune. The short documentary, which can be found in the online files, makes it easier to understand that Monk’s intention is to emphasize the singing voice. She recognized early in her life that she can use her voice like an instrument, changing tones and pitches to make sounds. Lyrics or the contents are not important. For me, there is a mental paradox in the center of it that allows us to understand her approach. It’s like imaging we could produce lyrics with the help of a harp or a piano. Instruments are just there to produce sounds, so why not just use the voice to produce them as well?

Comments

Popular posts from this blog

William Basinski – The Disintegration Loops III

  The Disintegration Loops is a quartet of albums published in 2002 and 2003 by American avant-garde composer William Basinski. The pieces are made up of tape loop recordings that were played over time, with noise and crackles rising as the tape deteriorated. Basinski noticed this effect when attempting to convert his older recordings to digital format. The completion of the recordings coincided with the September 11, 2001 events, which Basinski witnessed and adds a deeper meaning to the composition. The composition is fascinating in many ways and makes the listener lose track of time. The tape loop recording had a very calming effect on me and put me in a trance-like state when I listened to it in its entirety. The tape loop is really soothing, so much so that I didn't even notice the loss of quality when I first listened to it. It makes you forget about time and allows you to really get into the piece capturing the calmness it exudes. You forget or don't really notice how i...

Pierre Schaeffer - Étude pathétique

  Pierre Schaefer begins the piece with sounds produced by drums and similar percussion instruments. One hears the sound of an object spinning and then coming to a stop. I assume it is a circular object, like a cymbal or hi-hat of a drum kit, that spins until it comes to a stop. Sounds of a locomotive follow, continuing with a mixture of drums and spinning objects as well as voices. There are slight parallels here with another piece by Schaeffer, "etude aux chemins de fer," in which he has the musical piece consist of sounds of trains and locomotives. I also recognize an accordion and a violin playing rapidly, accompanied by human sounds that are not really decipherable. By combining all these background sounds and using human voices, Schaeffer creates an exciting atmosphere while listening to the piece, and the listener's auditory senses are constantly challenged to decipher all the details of the sounds. At times one could be reminded of a scene from a scary movie, at l...

Listening Report on John Oswald: Plexure

 Sarah Kumar Dr. Bernd Herzogenrath The Future of (American) Music 06 Mar. 2023 Listening Report on John Oswald: Plexure According to John Oswald, “[a] plunderphone is a recognizable sonic quote, using the actual sound of something familiar which has already been recorded” (Lecture Slides 18). However, only if the source stays recognizable can it be called plunderphonics. In his album Plexure , several songs are played back and mixed together, thus creating a new sound. This is interesting because while the excerpts of songs that are used are recognizable or at least sound familiar to some degree, played backwards and mashed up as they are in Plexure , they create a new sound. Like on the cover of the album, on which a collage making up a man can be seen, the mixing of different songs played backwards gives a new feeling to something known. The way the songs are mixed makes them unintelligible. The meaning of the words of the original recordings are not able to be compr...