Skip to main content

Meredith Monk’s Gotham Lullaby

 

Reem Zedan 7711552

Prof. Dr. Bernd Herzogenrath

The Future of [American] Music

02 February 2022

 

Meredith Monk’s Gotham Lullaby

This piece of music definitely surprised me. It started off like a normal song but when the singing starts you quickly realize that no words are being used. Watching her perform this piece live is also quite interesting. Raw emotions are illustrated on her face and feelings are transmitted through her incoherent use of words. The audience also seem to be mesmerized by her performance, which portrays their feelings and provides connection. Personally, I tend to largely focus on lyrics when listening to music which is why diving into the world of Monk introduced me to a new aspect of music and encouraged me to listen and interpret music in a different way than I am used to.

Monk does not use her voice to send a message; she uses it to ignite feelings in her listeners. This puts her voice in the place of a musical instrument. There was no need for words in classical music and she does not see a need for words in her modern way of making music easier. This makes her music indeed strange but in a special way. Her music is universal not only figuratively but also literally. The lack of words, which make up a  language, in her songs makes her music international and  accessible for everyone. Another international aspect of her music is illustrated by her drawing inspiration from Asian, Mid-Eastern, Western and Eastern European harmonies and composers.

The title of this piece has also caught my attention “Gotham Lullaby”. Gotham is a nickname for New York City but the name is also used for the city from the Batman universe. This influenced my interpretation of the piece and gave the song two lives for me. The first life is Monk paying homage to her city, representing it but also giving it a child-like treatment. A treatment that provides protection and unconditional love. The other life is griefing a ruined city, wanting to put something broken to sleep. It is sort of like a eulogy- sad but also comforted by the fact that the subject is resting in peace.

Comments

Popular posts from this blog

Listening Report on John Oswald: Plexure

 Sarah Kumar Dr. Bernd Herzogenrath The Future of (American) Music 06 Mar. 2023 Listening Report on John Oswald: Plexure According to John Oswald, “[a] plunderphone is a recognizable sonic quote, using the actual sound of something familiar which has already been recorded” (Lecture Slides 18). However, only if the source stays recognizable can it be called plunderphonics. In his album Plexure , several songs are played back and mixed together, thus creating a new sound. This is interesting because while the excerpts of songs that are used are recognizable or at least sound familiar to some degree, played backwards and mashed up as they are in Plexure , they create a new sound. Like on the cover of the album, on which a collage making up a man can be seen, the mixing of different songs played backwards gives a new feeling to something known. The way the songs are mixed makes them unintelligible. The meaning of the words of the original recordings are not able to be compr...

William Basinski – The Disintegration Loops III

  The Disintegration Loops is a quartet of albums published in 2002 and 2003 by American avant-garde composer William Basinski. The pieces are made up of tape loop recordings that were played over time, with noise and crackles rising as the tape deteriorated. Basinski noticed this effect when attempting to convert his older recordings to digital format. The completion of the recordings coincided with the September 11, 2001 events, which Basinski witnessed and adds a deeper meaning to the composition. The composition is fascinating in many ways and makes the listener lose track of time. The tape loop recording had a very calming effect on me and put me in a trance-like state when I listened to it in its entirety. The tape loop is really soothing, so much so that I didn't even notice the loss of quality when I first listened to it. It makes you forget about time and allows you to really get into the piece capturing the calmness it exudes. You forget or don't really notice how i...

Pierre Schaeffer - Étude pathétique

  Pierre Schaefer begins the piece with sounds produced by drums and similar percussion instruments. One hears the sound of an object spinning and then coming to a stop. I assume it is a circular object, like a cymbal or hi-hat of a drum kit, that spins until it comes to a stop. Sounds of a locomotive follow, continuing with a mixture of drums and spinning objects as well as voices. There are slight parallels here with another piece by Schaeffer, "etude aux chemins de fer," in which he has the musical piece consist of sounds of trains and locomotives. I also recognize an accordion and a violin playing rapidly, accompanied by human sounds that are not really decipherable. By combining all these background sounds and using human voices, Schaeffer creates an exciting atmosphere while listening to the piece, and the listener's auditory senses are constantly challenged to decipher all the details of the sounds. At times one could be reminded of a scene from a scary movie, at l...