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Philip Glass - Einstein on the Beach

American composer Philip Glass created the iconic minimalist opera "Einstein on the Beach" with a libretto by Robert Wilson. The opera's non-narrative form, repeating musical themes, and usage of visual elements make it stand out among other works. It had its world debut in 1976.

It is a truly incredible and unique experience. It started with the sound of a train whistle, followed by a repeated chord progression on the organ. The repetition of the music created a hypnotic effect that was both calming and exciting. I felt as though I was being transported to another time and place, and I could feel the energy and excitement of the train ride.

The second act, "Trial," featured a beautiful solo violin that was accompanied by the sound of a choir. The music had a melancholic tone that left me feeling deeply moved and emotional. The combination of the violin and the choir created a haunting and beautiful sound that was both powerful and moving.

The third act, "Knee Play," featured a spoken word section that was both poetic and philosophical. The words were repeated over and over again, which added to the hypnotic effect of the music. I found myself lost in the words and the music, feeling as though I was being transported to another world.

The final act, "Spaceship," was the most energetic and lively of them all. The music was fast-paced and featured a lot of percussion, which gave it a tribal feel. I felt a sense of excitement and joy as the music built to a climax, and I found myself dancing along to the beat.

Overall, my experience listening to Einstein on the Beach was both emotional and intellectual. The repetitive structures of the music created a sense of calm and allowed me to fully immerse myself in the music. The combination of the music and the spoken word sections created a unique and captivating experience that left me feeling both moved and inspired.

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