Reem Zedan 7711552
Prof. Dr. Bernd Herzogenrath
The Future of [American] Music
02 February 2022
Philip
Glass
I should be
used to listening to weird music by now, especially for and because of this
seminar, but I am not. Listening to “Einstein on the Beach” by Philip Glass was a very unpleasant experience
for me and my poor partner. The weird sort of pitchy sound of the keyboard, the
repetitive aspect of the composition, and the weird vocals felt like I had ants
running through my brain, my ears started hurting and I genuinely wondered if
the credits of this class are worth the torture. Safe to say, I did not
complete the full twenty minutes and I am shocked to report that my ears are
ringing as I am writing this report (are there bonus points for powering
through this?). I have been trying to keep an open mind in this adventure of
avangarde, unique music and I think I have been quite successful with that
until I heard Philip Glass’s music.
Listening to
Glass’s “Part 10 of
Music in Twelve Parts” was less gruesome but still undoubtedly headache-
inducing. It is the repetitive sounds that drove me crazy. Interestingly, while
some (me) can find the repetitiveness annoying, others (my partner) can find
them relaxing and fall asleep to them. When I asked how this kind of music
could be relaxing their answer was because of habituation, where the brain
stops responding to repetitive stimuli. This makes me believe that Glass’s
music could be used for hypnosis and that the music could definitely garantie
the listener a unique experience if the person is under the influence ( I wish
I was).
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