Listening to
this piece again, this time not in class but on YouTube, I notice a comment
someone wrote underneath this record: “To me this has always sounded like a
complex mathematical equation gradually working itself out audibly.” Strangely,
this really describes a suiting imagery for this piece. However, my imagination
draws a connection to nature. For me, this piece sounds more so like the later
stage of a dandelion. A gust of wind blows all those little pieces into the
universe. Each of their own flies in another direction and later settles down
where it can create a new flower. The additional background music starting at
ca. 03:00 minutes draws, at least for me, the picture of a green flower meadow
in the middle of a forest alley. Glass’ piece is not at all to fast in rhythm
for the imagery of a forest ecosystem. I picture all those single tones as
symbols for living beings, which all together are signs of life. Additionally,
as a listener I am able to concentrate on one single note or even on a group of
tones, which for me really illustrates how I would be able to tune out other
sounds in order to listen to the singing of a bird in the forest. The sounds
are overall light and similar in a way that helps to endure the fast rhythmic
pattern. Also, particularly this piece of art by Glass plays with those
patters: to be exact with one large main pattern and several smaller sub
patterns. An almost mathematical pattern and repetition is also something we
can find in nature, to be more precise in for instance flowers. Thus, the
commentary of this other listener can be connected to my association.
Glass’ “Part 10
of Music in Twelve Parts” is from those listened to in class from this
composer, the one that captivates me he most. Therefore, I will definitely be looking
into those other parts of this series as I can honestly image that I would
listen to this one in my free time.
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