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Phillip Glass – Part 10 of Music in Twelve Parts

 

Phillip Glass' "Music in Twelve Parts" is a set of twelve pieces composed within a few years. Part 10 of this series is a notable work that showcases Glass's minimalist style, which has been described as repetitive, hypnotic, and trance-like. The composition primarily utilizes a combination of keyboards, woodwinds, and string instruments. In Part 10, the listener is immediately immersed in a pulsing, repetitive pattern that gradually builds in intensity as additional layers of sound are added.

It is constructed using a cyclic, layered approach, with sections gradually shifting patterns of notes and rhythms that repeat and gradually evolve as the piece continues. Its effect was hypnotic, drawing me into a deep concentration and focus. Almost making reality non-existent, I felt like I had to be on guard whenever my mind slipped into a deeper set of engagements. Even though the piece is relatively minimalist, with individual parts and patterns changing or merging together into a cohesive whole, it still created a sense of momentum. Glass managed to emphasize the cyclical nature of the composition still while not limiting it to the minimalist approach he took, which kept the piece progressing. Different notions, juxtaposition, patterns, and repetition made it possible to build a principle that can be calculated and counted regarding patterns and sub-patterns, which can give the listener a sense of peace and structure with only slight alterations.

The timelessness and transcendence of the piece make it possible for the listener to lose themselves in the sound and consequently in their mind. This would be good for meditation practices; as I mentioned earlier, my guards were up, and I felt the need to stay in control – preferably add a "please, continue with caution – could evoke a deep meditative state" sign. Its hypnotic quality and layered approach make listening to this piece a compelling and immersive experience that is both meditative and thought-provoking.

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