Phillip Glass' "Music in Twelve Parts" is a
set of twelve pieces composed within a few years. Part 10 of this series is a
notable work that showcases Glass's minimalist style, which has been described
as repetitive, hypnotic, and trance-like. The composition primarily utilizes a
combination of keyboards, woodwinds, and string instruments. In Part 10, the
listener is immediately immersed in a pulsing, repetitive pattern that
gradually builds in intensity as additional layers of sound are added.
It is constructed using a
cyclic, layered approach, with sections gradually shifting patterns of notes
and rhythms that repeat and gradually evolve as the piece continues. Its effect
was hypnotic, drawing me into a deep concentration and focus. Almost making
reality non-existent, I felt like I had to be on guard whenever my mind slipped
into a deeper set of engagements. Even though the piece is relatively
minimalist, with individual parts and patterns changing or merging together
into a cohesive whole, it still created a sense of momentum. Glass managed to
emphasize the cyclical nature of the composition still while not limiting it to
the minimalist approach he took, which kept the piece progressing. Different
notions, juxtaposition, patterns, and repetition made it possible to build a
principle that can be calculated and counted regarding patterns and
sub-patterns, which can give the listener a sense of peace and structure with
only slight alterations.
The timelessness and
transcendence of the piece make it possible for the listener to lose themselves
in the sound and consequently in their mind. This would be good for meditation
practices; as I mentioned earlier, my guards were up, and I felt the need to
stay in control – preferably add a "please, continue with caution – could
evoke a deep meditative state" sign. Its hypnotic quality and layered
approach make listening to this piece a compelling and immersive experience
that is both meditative and thought-provoking.
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