Steve Reich's "It's
Gonna Rain" is a minimalist composition that was first performed in 1965.
The piece is centered around a short fragment of a recorded speech by a
Pentecostal preacher that Reich found while walking in the streets of San Francisco. The preacher is heard shouting the
phrase "It's gonna rain" repeatedly, and Reich uses this fragment as
the basis for the entire piece.
The composition is
divided into two parts, each featuring different treatments of the original
recording. In the first part, Reich loops the preacher's voice, creating a
dense, layered texture that gradually builds in intensity. The preacher's words
become obscured and abstracted as they are repeated and layered on top of one
another. In the second part, Reich isolates a single phrase from the recording
and manipulates it using tape delay and other effects. This creates a hypnotic,
trance-like effect, as the phrase is echoed and repeated over and over again.
To me, "It's Gonna
Rain" feels like a meditation on repetition and rhythm. The looping of the
preacher's voice creates a sense of endless repetition, like a mantra that
never ends. The gradual layering of the loops creates a hypnotic effect that
draws the listener in and makes it hard to focus on anything else. The use of delay
and other effects in the second part of the piece adds to this sense of
hypnotic repetition, as the same phrase is echoed and repeated in a
never-ending cycle.
The composition also has
a mechanical quality to it that reminds me of the sound of a washing machine or
other repetitive household appliance. The insistent rhythm and repetitive
nature of the piece feels like the relentless ticking of a clock or the steady
whirring of a machine. The loops and repetitions create a sense of
predictability and routine, which is both soothing and unsettling at the same
time.
Finally, "It's Gonna
Rain" is an interesting and
hypnotic composition that explores the power of repetition and rhythm. While
the piece may not be to everyone's taste, it is an excellent example of
minimalist music and the creative possibilities of using found sounds in
composition. The piece challenges the listener to focus on the nuances of sound
and rhythm, and rewards close attention with a mesmerizing and immersive
listening experience.
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