Skip to main content

William Basinski - DP 3

The 2002 release "DP 3" is a piece by American composer William Basinski. The work is a part of Basinski's "Disintegration Loops" series, which he made by utilizing recordings of analog tape loops that were starting to fall apart.

I had a sensation of tranquility and stillness as the soundscapes started to play. Long, prolonged tones that appeared to hover in the air were a feature of the slow, contemplative music. The sound had a dreamy feel since it was a combination of natural noises like wind and water and synthetic tones. I noticed that I was becoming more and more submerged in the sound as the installation went on. The music appeared to wash over me in waves, bringing calmness and harmony to the space. My body and mind started to unwind, and I had the impression that I was being taken to another place.

The music occasionally becomes more strong and more frightening, causing emotions of dread and uncertainty. The selection of the soundscapes gave the impression of being a voyage through the various emotions we encounter on a daily basis.

I was completely engrossed in the performance the entire time, my body and mind responding to the sounds in unanticipated ways. During the quieter times, my breathing became more regulated and steady, and my pulse rate decreased. We all joined in this special listening experience, thus I felt a connection to the place and the other visitors.

I definitely found my new study track. 
Labels:

Comments

Post a Comment

Popular posts from this blog

Listening Report on John Oswald: Plexure

 Sarah Kumar Dr. Bernd Herzogenrath The Future of (American) Music 06 Mar. 2023 Listening Report on John Oswald: Plexure According to John Oswald, “[a] plunderphone is a recognizable sonic quote, using the actual sound of something familiar which has already been recorded” (Lecture Slides 18). However, only if the source stays recognizable can it be called plunderphonics. In his album Plexure , several songs are played back and mixed together, thus creating a new sound. This is interesting because while the excerpts of songs that are used are recognizable or at least sound familiar to some degree, played backwards and mashed up as they are in Plexure , they create a new sound. Like on the cover of the album, on which a collage making up a man can be seen, the mixing of different songs played backwards gives a new feeling to something known. The way the songs are mixed makes them unintelligible. The meaning of the words of the original recordings are not able to be compr...
Post a Comment
Read more

William Basinski – The Disintegration Loops III

  The Disintegration Loops is a quartet of albums published in 2002 and 2003 by American avant-garde composer William Basinski. The pieces are made up of tape loop recordings that were played over time, with noise and crackles rising as the tape deteriorated. Basinski noticed this effect when attempting to convert his older recordings to digital format. The completion of the recordings coincided with the September 11, 2001 events, which Basinski witnessed and adds a deeper meaning to the composition. The composition is fascinating in many ways and makes the listener lose track of time. The tape loop recording had a very calming effect on me and put me in a trance-like state when I listened to it in its entirety. The tape loop is really soothing, so much so that I didn't even notice the loss of quality when I first listened to it. It makes you forget about time and allows you to really get into the piece capturing the calmness it exudes. You forget or don't really notice how i...
Post a Comment
Read more

Pierre Schaeffer - Étude pathétique

  Pierre Schaefer begins the piece with sounds produced by drums and similar percussion instruments. One hears the sound of an object spinning and then coming to a stop. I assume it is a circular object, like a cymbal or hi-hat of a drum kit, that spins until it comes to a stop. Sounds of a locomotive follow, continuing with a mixture of drums and spinning objects as well as voices. There are slight parallels here with another piece by Schaeffer, "etude aux chemins de fer," in which he has the musical piece consist of sounds of trains and locomotives. I also recognize an accordion and a violin playing rapidly, accompanied by human sounds that are not really decipherable. By combining all these background sounds and using human voices, Schaeffer creates an exciting atmosphere while listening to the piece, and the listener's auditory senses are constantly challenged to decipher all the details of the sounds. At times one could be reminded of a scene from a scary movie, at l...
Post a Comment
Read more